
Marina Abramovic, "Walk Through Walls. Autobiography (new edition)" Moscow: AST, 2024
The latest edition of the popular autobiography of one of the most controversial contemporary artists offers an engaging opportunity not only to gain an insight into the complex world of performance art but also to immerse oneself in the era that shaped Marina Abramović. The most compelling episodes are steeped in the atmosphere of her Belgrade childhood and adolescence, and these are deeply personal. The reader is gradually exposed to the story of Abramović's family, personal relationships, fears, and traumas, allowing them to understand why the central themes of her work—freedom, control, and altered consciousness—are so articulated. Written vividly and skillfully, it reads like a good novel with twists. So good that even those who don't understand Abramović the artist will fall in love with Abramović the writer.
"I never played with dolls. I never wanted dolls. I didn't like toys at all. I preferred to play with the shadows of cars on the wall or the beam of light from the window."

