7 June 1938
An actress was born Tatiana Lavrova. It is believed that she Andrey Voznesensky dedicated the immortal:
You will wake me up at dawn
You'll go out barefoot
You will never forget me
You will never see me
She was born into a family of cameramen - Evgeniy Andrikanis и Galina Pyshkova (My father filmed "Gavroche" and "Moscow Sky," my mother filmed "The Gutta-Percha Boy" and "The Song of Koltsov"). I was 12 when my parents separated.
She dreamed of the stage since childhood. After finishing school, in 1955, she entered the Moscow Art Theater School. She landed her first theater role—Mary Murray in the play "Jupiter Laughs"—in 1958. It was then that she chose her stage name—at the theater, they recommended she come up with a Russian surname. Her classmates came up with several options, and Tanya Andrikanis drew the one with the surname "Lavrova." It was under this name that she entered the history of theater and cinema.
At 22, she played Nina Zarechnaya in "The Seagull" at the Moscow Art Theater. Her success was enormous—after her debut, the young actress was called back to the curtain more than 20 times.
She also began acting in films, playing the poet's love interest in "Song of Koltsov." Her mother served as cinematographer for this and the following film, "Probationary Period."
I noticed the girl Mikhail Romm. He offered her the lead role in the film drama "Nine Days of One Year." The 23-year-old actress was timid—she was about to play a love triangle with experienced actors. Alexey Batalov и Innokenty Smoktunovsky. I asked the director why he chose her, he replied:
Because you sense everything. You don't always understand, but you sense everything correctly.
After the premiere, she woke up famous. The film became the top-grossing film of 1962. Lavrova was inundated with film offers. She turned many down, waiting for more starring roles. She later admitted: "My story with cinema didn't really work out."
My entire youth was spent on a wild ride. But I can only appreciate that height now, after many years have passed. Back then, I simply lived in fame and adoration… It was natural for me. After all, I didn't lift a finger to get even one of the roles I played back then.
In 1961, she left the Moscow Art Theatre for Sovremennik, where she played perhaps her best theatrical roles. For example, Gitel in her first directorial work. Galina Volchek "Two for the Seesaw" based on the play William Gibson. A story about love and loneliness, played out by Lavrova and Mikhail Kozakov, was a success. Volchek called the actress her "first muse."
Before the director found a new muse - Marina Neyolova, She managed to create many vivid images on stage: Nastya in the play “The Lower Depths”, Katya in the play “Don’t Part with Your Loved Ones”, Ranevskaya in “The Cherry Orchard”.
In 1978, she returned to the Moscow Art Theatre. But over time, her roles became fewer and her dissatisfaction with herself increased.
There's no limit to the comprehension of this profession. Never in all my years of work have I had such a feeling that I've approached this limit, the most genuine truth. Never before have I had such a feeling that here it is, the blue bird.
In her personal life, stable family happiness never materialized. With her first common-law husband, the "Soviet Marlon Brando," Evgeny Urbansky, They lived together for seven years. When they started dating, she was a student; he was six years older and married. The relationship ended when Evgeny became involved with another woman. In 1965, the actor died during filming at the age of 33.
In marriage with Oleg Dal, at that time going through a divorce from Nina Doroshina, She married in 1965. "The most wayward of women" and "the man without skin" lived together for six months and separated without any recriminations.
The third husband was a football player Vladimir Mikhailov — a son was born in a short marriage.
She had an affair with Andrei Voznesensky for several years. There's a beautiful version that at the moment of their final separation, the poet asked, "Will I never see you again?" Tatyana replied, "I will never forget you." In 1977, Voznesensky wrote a saga about "brown cherries," which became a poignant song set to music. Alexey Rybnikov in the rock opera "Juno and Avos":
And it will sway in a senseless height
A couple of phrases that flew in from here:
I will never forget you
I will never see you
She passed away in 2007, at the age of 68.
